Friday, September 10, 2004

20 Authors You Should Read (Instead of Stephen King): Part I

This will be an occasional filler post (continuing, at least, until I reach the number of 20). You should know three things about this list:

1. These are fiction authors I highly recommend.

2. The reasoning behind creating such a list is, at least in part, vindictive (see below).

3. These authors really are better than Stephen King.

Now for the bitter part.

I grew up a child (and young man) reading Stephen King. As an aspiring writer, you could say he was my hero (he was). No, I wasn’t raised on the classics, which is unfortunate. I find books like The Iliad and The Odyssey tough reads (which is why I am not a better writer, plain and simple).

Even later in life, as an always-writing, forever-cutting-my-teeth, college student, I idolized King. Eventually I joined the day-job workforce, as most aspiring artists do – which is in part what keeps us aspiring, I suppose. I spent the better part of 15 years providing for my family in a job about as distant from writing for a living as the sun is from the moon.

So flash forward to me at 36, living here in Denver. Having just read On Writing, King’s own definitive book which details his personal trek as an aspiring writer, I was presented with a Golden Opportunity: I read in a local paper that The Rock Bottom Remainders, a band consisting mostly of famous writers (of which, at the time, King was a member), was coming to the Gothic Theater. Further, for a paltry sum of $300 (“paltry” being used with the most dripping sarcasm I could find lying around at the time this was written) a person could attend a “meet and greet” before the show, throwing back hors d’oeuvres and mingling with the writers.

Wow.

Not only did I pay the exorbitant price, I bought two VIP tickets – one for me and one for my then-wife (after all, who was going to snap the picture of me and my newfound compatriot)?

I won’t keep you in suspense. King was a complete ingrate. He was as disingenuous as they come, couldn’t have wanted to be there less and was making sure everyone knew it. Turns out when it comes to his fans, he doesn’t believe in idolatry (don’t get me started on celebrities who make millions off their fan base and then decide they don’t like their fan base).

He was so unapproachable I had to force myself on him to get a picture (not something I am proud of, nor something I would normally even do). I was in a state of shock. I had wanted so much to talk trade with him, maybe garner a small table scrap of hope from one who has fought for sustenance in the rough and tumble world of literary impossibilities and come out sated on the other side. In other words, I really just wanted to have a conversation with the man (not sure whether that was the meet or the greet but for $600 I was sure it fell in there somewhere between).

I brought only one book for him to sign (others brought stacks of all his classics: Carrie, Cujo, Christine, It, The Stand). I brought On Writing. I was the only one there who did. But do you think Stephen King, through even something as trivial as a twinkle in the eye, recognized that here before him, Dear Reader, was a fellow hopeful, a man who was still living in the ethereal dream of one day becoming a writer like himself? Do you think for even one nanosecond of time he acknowledged the fact that some had paid money they couldn’t afford to actually meet the filthy rich author?

Don’t hold your breath. King placed his scrawl on my book with so much disdain he might just as easily have been signing his own death warrant.

The night, however, was not a total bust. I met sports columnist and Tuesdays with Morrie author Mitch Albom, as well as humorist Dave Barry. Albom and his wife were gracious and talkative, posing for pictures and asking about Denver, while Stephen King conveniently disappeared after devouring a plate of grub.

Dave Barry, in addition to being just as gracious as Albom (and, later, stealing the show), actually wrote me back from his paper in Miami after I sent a note thanking him for the opportunity.

My apologies for the long, drawn out explanation of why I have bitterly included King in my design of this continued post. I promise future posts on this subject will focus exclusively on the recommended authors.

Now, since I have wasted most of my time here, and since I am not listing these authors in any particular order, let me just recommend one author this go around – one of my favorite contemporary reads:

Thom Jones.

Jones has written several collections of short stories (The Pugilist at Rest, Cold Snap, and Sonny Liston Was a Friend of Mine).

Once you get past the heavy ex-fighter thread that ties many of these tapestries together, you will find an author who grabs you by the shorts hairs, drags you around the room like a rag doll, tosses you in an exhausted, disheveled heap, and apologizes for nothing. Jones is, in my opinion, one of the most talented writers of this generation.

And finally, in the spirit of offering up credit where credit is long overdue, let me thank my good friend MF, who in light of my sheltered existence in the dark, chewing on the rind of Stephen King all those years, offered me up a flashlight and the fruit of his “reading list” (and oh what a juicy, delectable fruit it has been to sink these hungry teeth into). I owe much of my current list of contenders to him.

Boodles and Ice to you, MF.

And to Stephen King?

A highball of turned milk, straight up. Choice beverage of the sophistical hack.

The back seat is quiet.

Thursday, September 09, 2004

Hollywood Executives: Baby Geniuses

Last year I watched HBO’s (now Bravo's) Project Greenlight for the first time. A young writer named Erica Beeney won the screenplay competition with a poignant, well-written script titled The Battle of Shaker Heights. I read the screenplay online, and was extremely excited to see this tight, witty, thoughtful piece of work brought to the silver screen, particularly since the winning co-directors, Efram Potelle and Kyle Rankin, created one of the most original short-short bits I have ever seen.

Seemed like this was a surefire formula for success.

Enter stage left, the cliché fat-cat Hollywood studio, Miramax. Namely, Harvey and Bob Weinstein (who founded the company, named after their mother Miriam and father Max). Now let me say for the record that the Weinstein brothers have produced some classic films, so this is not an exclusive rant against Miramax, per se.

The Miramax short list?

Sex, Lies, and Videotape
Pulp Fiction
Good Will Hunting

and yes, even The English Patient

(I tend to find myself in the same camp as Elaine in the Seinfeld episode of the same name, but I’ll concede it was a good choice in filmmaking nonetheless)

Still, the fact that Miramax has released some excellent film only serves to prove a point: it’s just a matter of time before tinsel-laden Hollywood executives sell-out to the lowest common denominator and bury the innovative, independent, and far more entertaining projects in favor of pure unadulterated schlock.

Worse yet, they take a wonderful script like The Battle of Shaker Heights, spray it down with a cheesy formulaic hose until it hardly resembles a shell of its former self, and then bury it unceremoniously in a limited release handful of theaters before sending it straight to DVD.

Hollywood is raising the prices, all the while lowering the bar. Take the following examples (statistics garnered from the highly recommended website, http://www.rottentomatoes.com/, as of September 8, 2004):

The Tops (based on reviews):

Film: Festival Express
Studio: ThinkFilm
# Theaters: 43
% Critics Recommended: 98% (56 reviews)

Film: Maria Full of Grace
Studio: Fine Line Features
# Theaters: 119
% Critics Recommended: 97% (99 reviews)

Film: Before Sunset
Studio: Warner Independent
# Theaters: 197
% Critics Recommended: 95% (132 reviews)


The Schlock (based on reviews – and a good bit of common sense):

Film: Without A Paddle
Studio: Paramount Pictures
# Theaters: 2756
% Critics Recommended: 14% (105 reviews)

Film: The Cookout
Studio: Lions Gate Films
# Theaters: 1303
% Critics Recommended: 5% (21 reviews)

Film: Superbabies: Baby Geniuses 2
Studio: Sony Pictures
# Theaters: 1276
% Critics Recommended: 0% (31 reviews)

Now I understand the fact that the first three films are being distributed by small, independent companies, but this is part of the point: the big studios won’t make – nor distribute – these films.

Think about this for a moment:

Maria Full of Grace, a film lauded by critics – recommended by 96 of 99 surveyed – is distributed in 119 theaters nationwide.

Without A Paddle, which is recommended by an anemic 15 of 105 critics, is distributed in 2756 theaters nationwide (hell, it’s in 20 theaters just here in Denver)!

What is wrong with this picture?

No coup de theatre here.

What’s worse? Here’s the current gross for this Seth Green masterpiece, in only it’s third week of release:

$39.9 million dollars.

That’s the crux, folks. In the end, you just can’t blame the fat cats in Hollywood. We’re ponying up the cash, so why would they ever consider cutting off the drivel supply chain?

Sadly, once a person realizes the sludge that is being produced by mainstream Hollywood and decides they’d rather spend their hard-earned scratch on the quality films, they can’t. Unless you live in L.A. or New York City, chances are the film’s not playing in your neighborhood. Ever.

And none of this will stop until John Q. Public quits lining up for this river of crap like a herd of 5 year-olds clambering for more cheap plastic throw-away Happy Meal toys. It’s just another example of people milling through life like a bunch of mindless cattle: the lowest common denominator wins and the fat cats get fatter.

A call to arms: make a stand, people. Get some bang for your buck – tell the Weinsteins of the world we demand better.

Hit them where it hurts: in that overstuffed Costanzian wallet.

The back seat is quiet.